I have been interested in art making since childhood. I was encouraged to make art throughout my primary and secondary school years. I then went on to study at Red Deer College, gaining intensive experience in drawing, painting, visual fundamentals, ceramics, and sculpture. My B.F.A. was completed at the University of Saskatchewan under the guidance of Robert Christie and Otto Rogers. As a result, my painting style is influenced by abstract expressionism and the formalist approach, which remains a constant in my process.
I am an independent artist painting in my backyard studio in Saskatoon.The large studio windows allow me to be close to the beauty of my garden and the expanse of the prairie sky. My day job takes me on the road, where I am inspired by the landscape of the prairies.
I also work as a counselling psychologist in schools and private practice,
supporting others to search for hope and build resiliency.
There is a critical job that is a priority - growing with my family and friends. A friend once told me that my finest work of art has been my children. How sweet is that!
In my life people will always come first.
My work gives recognition to the spaces that inspire me throughout the prairie seasons.
I am intrigued by the negative spaces in the environment that are defined by natural and man-made objects. It is within these spaces, or places, that I tell a story. I have been influenced and trained by formalist painters and their emphasis on colour, line, light and texture. It is with these elements that I build layers and invite curiosity. I have a need to grow and change and as a result tend to work in series that are inspired by a particular muse.
Although the muse may differ the mark making and painting style remain recognizable.
Making art is a process of exploration and discovery.
When preparing the work I spontaneously draw and apply medium and paint, creating chaos and struggle which keeps the work authentic. The process invites new possibilities and frames the sensitivity to light, colour, line and texture. The negative spaces hold individual stories or significant ideas, paintings unto themselves. The challenge is to ensure that these individual spaces exist as a whole. It is a process of giving recognition to these spaces,
searching for balance in chaos, seeking relationships between the lines,
textures and overlapping colour planes. Taking chaos to calm.
Although the work is abstract in expression,
the "sometimes" familiar themes engage the viewer and invite them to linger,
enticing them to move closer to the canvas in search of stories within the layers. The work creates a relationship between representation and abstraction, which plays with the viewer’s expectations and allows them to experience both genres.
I am continually motivated and trust in this quote:
“Creativity is allowing yourself to make mistakes;
Art is knowing which ones to keep.”